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The Metropolis Studios Atmos Guide

Everything you wanted to know about Atmos but were afraid to ask.
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Metropolis at The Brits 2018

Massive congratulations to all of the BRIT Awards 2018 nominees. We’re delighted to have worked with so many of the nominated artists over the past year…

Dua Lipa – nominated for British Female Solo Artist, British Breakthrough Act, British Single, British Album Of The Year & British Artist Video Of The Year. #DuaLipa was mastered by John Davis.

Ed Sheeran – nominated for British Male Solo Artist, British Single, British Album Of The Year & British Artist Video Of The Year. ÷ was mastered by Stuart Hawkes.

Gorillaz – nominated for British Group. Humanz was mastered by John Davis.

Jessie Ware – nominated for British Female Solo Artist. Glasshouse was mastered by Stuart Hawkes.

The xx – nominated for British Group. I See You was mastered by John Davis.

J Hus – nominated for British Breakthrough Act, British Single & British Album Of The Year. Common Sense was mastered by Stuart Hawkes.

The Killers – nominated for International Group. Wonderful Wonderful was mastered by John Davis.

Clean Bandit ft. Zara Larsson – nominated for British Single & British Artist Video Of The Year. Symphony was worked on by Liam Nolan and mastered by Stuart Hawkes.

Jax Jones ft. RAYE – nominated for British Single & British Artist Video Of The Year. You Don’t Know Me was mastered by Stuart Hawkes.

Anne-Marie – nominated for British Artist Video Of The Year. Ciao Adios was mastered by Stuart Hawkes.

Rag’n’Bone Man – nominated for British Male Solo Artist, British Single & British Album Of The Year. Mixed in Studio C by Dan Parry.

Paloma Faith – nominated for British Female Solo Artist. Tracks from the album were mixed in Studio C.

Loyle Carner – nominated for British Male Solo Artist & British Breakthrough Act. Yesterday’s Gone was mixed in Studio C.

…and breathe.

 

To find out more and book our Mastering team, click here…
To find out more and book with our Studios team, click here…

The Playback Sound of 2018

Never one to miss the opportunity to combine reading the future and espousing passionate music recommendations here is The Playback’s Sound of 2018.

Featuring a wide variety of artists, some of which will already be on your radar, we give you eight acts to keep an eye on in the months ahead…

Not3s – My Lover

East-Londoner Not3s has been winning over critics and celebrities such as Louis Theroux, Raheem Sterling and Stormzy with his cheeky rhymes and party ready rhythms. After the viral hit of “Addison Lee” Not3s has kept up the strong output of bangers. “My Lover” bobs up and down on the powerful kick drum and funky guitar licks. Not3s’ slick delivery is both confident and laid back and the young man’s charm shines through clearly.

Rex Orange County – Untitled

We tipped you off to Rex’s talents way back in April and since then he has released his album “Apricot Princess” to overwhelmingly positive reviews. A lot has been written about young Rex (Alex O’Connor) since then, with the majority of it rather unfairly focussing on his star studded and glamorous collaborations with the likes of Tyler the Creator instead of the work he has created on his own. It’s all here on tracks like “Untitled” with the uniquely soft crooning vocal that will surely get even better with age. You can catch Rex when he embarks on his UK and European tour in the New Year.

Nabihah Iqbal – Something More

Having previously worked under the moniker “Throwing Shade”, this year Nabihah Iqbal released her debut album “Weighing of the Heart” under her own name. On the track “Something More” you can feel her dance music oriented past blending smoothly with post punk guitars à la New Order and The Chameleons. Warm pads and sharp synth strings glide over a pounding robotic beat and her breathy vocals will have fans of The XX salivating throughout this retro sounding single.

Easy Life – Pockets

“Pockets” is the first taste of Easy Life’s soon to be released debut EP on Chess Club Records and it has rightly so whipped up plenty of interest in what the Leicester based 5-piece also have up their collective sleeve. Relevant tastemakers also deemed the track worthy of the New Music Friday UK Spotify playlist which would have introduced the boys to over half a million subscribers. The group are already selling out local venues as well as their first ever London show so if you want to catch them live there is no time to stall.

Alma – Chasing Highs

With a Top Twenty hit already to her name at just twenty one years of age, Finnish singer-songwriter Alma has made an exciting start to her career. “Chasing Highs” is pure pop brilliance with its staccato keys, massive house beat (with accompanying hand claps) and at its centre a tough and assertive vocal performance. There is surely much more to come from the young and bold singer who has seriously progressed from her days on the Finnish singing competition “Idols” back in 2013.

Benny Mails – Aware, The Mixtape

Benny Mails is a hot new MC from South London with an elegantly rhythmic flow naturally developed during his formative years break dancing and listening to Hip Hop, Funk and Jazz records. “Aware, The Mixtape” is made up of eight wildly different tracks that excellently demonstrates the young talents abilities. Benny vocally spars with the listener delivering fast and phonetically fatal jabs yet with “Aware” he shows he can slow things down and come up with Connan Mockasin style make out music.

Dama Scout – Sugar

The Playback has been flying the flag for Dama Scout ever since we saw them supporting one of our other favourite bands Our Girl at the Shacklewell Arms in Dalston. Their kinetic energy combined with a discernible ear for a melody results in something very interesting indeed. Much like bands such as experimental rockers Deerhoof, Dama Scout effortlessly combine harsh and dissonant moments with sublime and sweet ones.

Pink Kink – Munchie Magic

Liverpudlian band Pink Kink make us think “why can’t more acts be this wild and fun?” With “Munchie Magic” it sounds like Pink Kink are the stars of a Tarantino film about Punk surfers from the 1980’s that have time travelled back to the Wild West… in the best way possible. Anarchic, sharp and rude the track and the band are accessible without playing down their politics and intellect.

To keep up to date with all things Metropolis Mastering related check out our website…

 

Check out our Spotify playlist which we will be adding to as the year goes on with all our tips and recommendations…

The Playback

The Playback: September

As sure as Autumn follows Summer, The Playback is back to provide you hip young thangs with enough ear-tertainment to keep you warm through the tough weeks ahead.

So as you pack away your sandals and dust off your moth-eaten collection of thick wooly jumpers why not give these new songs a cheeky once over… 

Col3trane

Col3trane is only 18 years old which this writer finds disgusting. Col3trane probably never had to wait for his parents to hang up the phone before he could log onto Neopets.com! Alright alright, enough with the bitter and jealous ageist comments, Col3trane is clearly wise beyond his years and “Penelope” is a great demonstration of his talents. His voice soulfully chimes over blissfully processed electric guitars before a stuttering, shuffling beat kicks in. Fans of Frank Ocean and Rex Orange County should definitely give it a listen as we wait patiently to see what the future holds for Col3trane.

Pink Kink

This anarchic right hook of a tune is the first material ever released by the Liverpudlian quintet. Coming in at just under two minutes, “Bubblebut” races off into the distance at full throttle and challenges the listener to keep up with it. With lyrics about the male gaze and the female body, thick basslines and dirty surf rock guitars Pink Kink have served up a fun and meaningful slice of punk you can dance to. They are currently touring with previous Metropolis Mastering alumni Dead Pretties and you can catch them at the Boston Music Room on the 12th of October.

Tuska

*Don’t compare to Tame Impala, Don’t compare to Tame Impala, Don’t compare to Tame Impala* The next band on this month’s The Playlist are groovy Psych-rock duo Tuska, who with their first EP have created some waves with their chilled melodies. “Brother” has some lovely falsetto harmonies throughout, whilst guitars drenched by bucketloads of effects battle the modulating synths to take centre stage. The track builds and builds until it explodes with the lyrics “You can roll your eyes”. Cascading keys and bouncing bass lines support the song on its spacey journey to the stratosphere. All in all, very promising stuff. For fans of Tame Impala, Tuska’s EP is required listening…OH DAMNIT!

Betsy

Betsy is in possession of a voice. It’s a rather large voice at that and it is certainly put to good use in “Little White Lies”. Katie Starzed on youtube put it best when she commented “Her voice is like Cher and Shakira had a love child”. The Welsh songstress’ voice really suits this piano led emotional power-pop ballad. The huge snare marks the arrival of the chorus with reverence and smooth synth strings compliment the main vocal hook naturally. Her debut album is out now and you can catch Betsy when she tours across the UK in November.

Jessarae

“Fishbowl” is the kind of song a Proud Professional-Pop-Producer would be very happy to drop. Made up from the best parts of megastars like The 1975 and Maroon 5, Jessarae has honed his song-writing talents in such a way that he will soon be hard to ignore. In fact the mainstream has already come calling as he is currently supporting Little Mix on their UK tour before heading off on his headline tour this February. By then it is very likely he will have won over the hearts of thousands of new fans.


To keep up to date with all things Metropolis Mastering related check out our website…

Check out our Spotify playlist which we will be adding to as the year goes on with all our tips and recommendations…

The Playback

Engineer In Focus: Andy ‘Hippy’ Baldwin

Andy ‘Hippy’ Baldwin was the first engineer at Metropolis Mastering to be taken on as an apprentice, learning his art from three of the most experienced engineers in the UK in Ian Cooper, Tony Cousins and Tim Young.

Over the course of the last twenty years, Hippy has evolved into one of our most trusted engineers. After his mentor Ian cooper retired, Hippy took over his mantle to finish the remastering of Oasis’ first three albums, featuring early demos from “Definitely Maybe” to lost recordings of “Be Here Now”. With a special talent for bringing out the best from a wide variety of mixes, Hippy really personifies the Metropolis Mastering ethos of supporting creativity and sonic excellency. 

Hidden Orchestra – Antiphon

Coming in at just over six minutes, ‘Antiphon’ from the 2010 debut album ‘Night Walks’ is sprightly, urgent and all too brief. Fusing ambient soundscapes with avant garde instrumentals and Hip Hop beats, Hidden Orchestra have a real talent for creating beautifully trippy and textural sound paintings. You can hear the precipitation throughout ‘Antiphon’, whilst the dripping wet backward guitars and pianos carry the soft and delicate tune until the drums kick in and elevate the track from pleasant background noise to cinematically dramatic hip hop beats.

“Joe Acheson is one of the most creative musicians I have ever worked with. His music is amazing but you need to listen really closely to his work to appreciate some of the more subtle details. The world is his recording studio, from raindrops hitting his living room window to a Bluebottle landing on an outdoor mic, it’s all in there in a twisted form for your listening pleasure.”

The Orb & Dave Gilmour – The Cult Of Youth Ambient Mix Parts 1 & 2 – Edit

Music geeks from across the globe rejoiced when Ambient House pioneers The Orb joined forces with Pink Floyd’s Dave Gilmour for 2010’s ‘Metallic Spheres’. This album represented a departure sonically from the more dub oriented material on previous albums such as ‘The Orb’s Adventures Beyond the Ultraworld’ and ‘U.F.Orb’. Otherworldly synths mesh with Gilmour’s effortless guitar noodlings to create a dramatically atmospheric piece

“LX Paterson, one of the purveyors of the UK’s ambient dance music, meets the King of Prog Rock! Having grown up listening to both these artists this record was a dream to work on, the listening experience is further enhanced with the binaural version on the two disc set. Get your headphones out and let Paterson and Gilmour seriously mess with your head!”

Blur – Under The Westway

Debuted live on Twitter by a reunited Damon Albarn and Graham Coxon, ‘Under The Westway’ is a beautiful piano-led ballad and a strong return to form from a grown up sounding Blur. Shortly after winning the Outstanding Contribution to Music at the 2012 Brit Awards, Damon and Graham co-wrote the song for the Olympic Closing Celebration Ceremony Concert in Hyde Park. The sombre lyrics reflect on middle age and an ode to life in a modern Metropolis (‘Girls and Boys’ this is not).

“I remember telling my folks I was going to a friend’s house to revise for my A-Levels but ended up instead at Finsbury Park to see The Cure. Blur came on as a surprise act and blew me away with acoustic numbers from ‘Modern Life Is Rubbish’. Years later I found myself holding a half inch tape of ‘Under The Westway’, the first blur record to be released in years! I was blown away!”

Wretch 32 – Antwi

Wretch 32 is at his best when he’s spitting fire over an instrumental and with the track ‘Antwi’ Jermaine Scott Sinclair delivers a real gut punch of a track. The lyrics are hard hitting, calling out racism, familial loss and having to help his mum with the shopping. For those who are more familiar with Wretch’s work on chart-friendly tracks like ‘Don’t Go’ and ‘Unorthodox’, ‘Antwi’ and the other tracks on 2016’s ‘Growing Over Life’ album might come as a bit of a shock to you. As a Tottenham boy and nephew of equal rights campaigner Stafford Scott, Wretch 32 is here at his most reflective, raising concerns on important issues of race and class that became mainstream news during the London riots. Wretch 32 named the track ‘Antwi’ after losing his friend, mentor and former manager Richard Antwi in 2016.

“It’s a fantastic body of work, with its roots in the UK grime scene but accessible to a wider audience. I love the grime ethos and it’s great to see dedicated artists such as Wretch getting the recognition they deserve.”

I Can’t Explain (Live At Hull) – The Who

Legend has it that this live recording by The Who was always intended to be the definitive record of the band’s live talents. The show at Leeds the night before which eventually became “Live At Leeds” (now widely regarded as not just one of the best live albums of all time, but one of the best albums of all time FULL STOP) was actually meant to be the warm up for this show at Hull! Technical cock-ups during the initial recording however meant that the first seven tracks of the show were deemed unreleasable. It was only in 2012 when Bobby Pridden and Richard Whittaker realised they could save the project by splicing John Entwistle’s bass performance from “Live At Leeds” in place of the initial recording. Forty two years after the concert, “Live At Hull” was finally released..

“It’s hard to say anything about this band that hasn’t already been said. The live at hull gig was a piece of unheard history and working with Bob (The Who’s original sound engineer) was an experience I’ll never forget, it was simply a pleasure to be a small part of that historic event.”


To read more about Hippy’s work, head over to his bio on the mastering website by clicking here…

Book Andy ‘Hippy’ Baldwin  for your next mastering project by clicking here, or drop an email to mastering@https://www.thisismetropolis.com

3D Binaural Sessions at Metropolis Studios

3D Binaural Sessions at Metropolis Studios

Metropolis teamed up with London based producer Pierre O’Rielly to create a binaural 3D live performance and demonstrate a VR experience in music, supported by Metropolis’ sonic excellence. The recording session was engineered by Paul Norris.

To enhance sensitivity and the richness of 3D sound, we collaborated with Sennheiser who brought us the superb Dummy head mic – the Neumann KU 100 Dummy Head (with a retail price £7000!).
Performances from Goro Ito, Pierre O’Rielly and Malory Torr.

Make sure you’re wearing headphones when watching the video!!

Contact: Hitoshi Yoshioka for further inquiries.

The Playback – October and November

We’re back with five more artists to satiate your new music consumption needs. Welcome to The Playback. These hot new releases come forged from deep within the chilly months of October and November and we present them to you for your aural pleasure. Bon Appétit!

Easy Life – Pockets

Easy Life are five young chaps from the East Midlands making music that has plenty of fun mixing genres and styles. Clean jazzy guitars chime with Hip-Hop rhythms and spoken word vocals collide in this chilled choon. “Pockets” is just the first offering from an upcoming EP picked up by the super “down with the kids” label Chess Club Records (also home to the achingly cool MØ and Hinds) and it’s a very promising launch pad for the group who next play The Bodega in Nottingham on the 8th of December.

Totally – Moonlit Memory

“Moonlit Memory” is the new single from London based group Totally. Harking back to the 60’s with their tight four part vocal harmonies, jangly guitars and haunting organ sound, Totally have produced a sweet tear-jerker of a pop song. Confessional lyrics are given life by lead singer Jade’s vulnerable and introspective delivery. You can catch them playing at The Waiting Room in Stoke Newington on the 13th of December ahead of the physical single release on Wild Horse Records.

Melissa Whiskey – Billin Remix ft Inch

The UK R&B scene has a new voice to take notice of. Having signed her first publishing deal before even releasing a track Melissa Whiskey’s musical journey has been a story of relentless progression so far. It’s easy to hear why as she has some seriously soulful chops, showcased excellently on this new track. Packed with hooks and earworm worthy vocals, “Billin” is a hot and heavy banger perfectly crafted for dancing up close to. As a taster for her upcoming debut EP “Moon + The Sky” this track sets the bar high.

Abattoir Blues – Blinded

Brighton based Nick Cave enthusiasts Abattoir Blues share the title track from their debut EP “Blinded”. Hit play and be hit by an instant wall of wailing guitars before being built up by the post punk equivalent of a good old fashioned drum roll. Front man Harry is full of beans as he howls and snarls with exacerbation whilst the rest of the band keep ramping up the energy levels. The EP is out now, released via the Telharmonium label.

Sands – Let’s Run

Sands is the moniker of singer-songwriter and multi-instrumentalist Andrew Sands. With “Let’s Run” Andrew serves us up a satisfying slice of Badly Drawn Boy inspired Brit-Pop nostalgia. Medleys of melodies play amongst melancholic verses and echoing voices. The descending piano hook will burrow itself deep inside your head and the dueling lead guitars at the end will have you nodding along triumphantly.

Noel Gallagher’s back!

Noel Gallagher’s High Flying Birds announce third studio album…

Noel Gallagher has announced the new Noel Gallagher’s High Flying Birds album, ‘Who Built The Moon?’, alongside details of a giant UK & Ireland arena tour.

Hit the video link to watch the official album trailer. We love what we’ve heard so far. In-fact, we’ve had a sneak listen to the album already (which features Johnny Marr and Paul Weller!) as the record was mastered by John Davis up in Metropolis Mastering. Prepare yourselves.

Tracklist:

The full tracklist for ‘Who Built The Moon?’ is:
1. Fort Knox
2. Holy Mountain (Featuring Paul Weller on organ)
3. Keep On Reaching
4. It’s A Beautiful World
5. She Taught Me How To Fly
6. Be Careful What You Wish For
7. Black & White Sunshine
8. Interlude (Wednesday Part 1)
9. If Love Is The Law (Featuring Johnny Marr on harmonica)
10. The Man Who Built The Moon
11. End Credits (Wednesday Part 2)
Bonus track:
Dead In The Water (Live at RTÉ 2FM Studios, Dublin)

Noel Gallagher’s tour dates:

Gallagher’s full upcoming UK and Ireland tour dates are below. Tickets are on sale from 9am on Friday September 29…

  • Sun 22 April 2018 Brighton, Brighton Centre
  • Tue 24 April 2018 Glasgow, The SSE Hydro
  • Wed 25 April 2018 Aberdeen, BHGE Arena
  • Fri 27 April 2018 London, The SSE Arena Wembley
  • Mon 30 April 2018 Nottingham, Motorpoint Arena
  • Tue 1 May 2018 Birmingham, Birmingham Arena
  • Thu 3 May 2018 Newcastle, Metro Radio Arena
  • Fri 4 May 2018 Manchester, Manchester Arena
  • Sun 6 May 2018 Cardiff, Motorpoint Arena
  • Mon 7 May 2018 Leeds, First Direct Arena
  • Wed 9 May 2018 Belfast, The SSE Arena
  • Thu 10 May 2018 Dublin, 3Arena

 

Head over to the Metropolis Mastering website to find out more about our Mastering team and to book your next project…

Sampling the Waves Grand Rhapsody Piano

Mixing engineer and plugin developer Yoad Nevo reveals how the Fazioli grand piano in Metropolis’s Studio A was sampled to create the Waves Grand Rhapsody piano.

Watch the video and learn about the sampling process, the function of every mic chosen, how they were positioned, and which preamps and convertors were used to capture the sound.

From Waves….

Like a sleek Italian sports car, the Fazioli F228 model was engineered from the finest Italian parts and craftsmanship, taking its wood from the same red spruce forest where Antonio Stradivari cultivated his rare and celebrated violins. The deep bass, rich resonance and crystal clear tonal qualities produced by the wood have made the Fazioli a highly coveted instrument for the most discerning ears in music.

Recorded at Metropolis with 8 different pairs of state-of-the-art microphones and the highest-quality preamps and converters, Waves’ Grand Rhapsody virtual piano delivers the same majestic sound as the studios’ original Fazioli piano, with added features that only a plugin can provide.

From pop/rock songwriting to electronic production to intimate jazz and classical piano, Grand Rhapsody offers a wide range of tonality for musicians and producers. You can blend up to 3 mic pairs of your choice and choose their position; control how much of the pedal, key up and sympathetic resonance you mix into the overall sound; and apply Waves’ award-winning effects including EQ, compressor, limiter, delay, and reverb based on Waves’ state-of-the-art H-Reverb.

Whether you prefer to load one of the expertly programmed presets or create your own sounds from scratch, Grand Rhapsody furnishes you with all the warmth and richness you’d expect from one of the most luxurious pianos in the world – plus a little extra, from Waves.

Mics used to sample the original Fazioli:

B&K 4007
Shure SM57
Neumann U87
Royer R121
SE RN17
Neumann KM84
Coles 4038
AKG C451

Daughter x Life Is Strange

Neo-folk group Daughter have a reputation for experimenting beyond normal conventions…

On their latest project, they are expanding their repertoire to include video game compositions. Life is Strange: Before The Storm from Square Enix, the publishers behind a host of groundbreaking series including Final Fantasy and Tomb Raider, will consist of an original score from the London-based trio.

In an exclusive behind-the-scenes look of the score’s development, Daughter members Elena Tonra and Igor Haefeli discuss the challenges of approaching a video game score and seeking inspiration from the game’s 16-year old protagonist. 

“Feeling slightly under qualified but incredibly excited we learned as we went,” singer Elena Tonra tells Billboard. ”For our own albums it can take a couple of years to finish a record, so we had to be very instinctive and decisive with these songs whilst being open to adapting to fit with the script and the game as it was developing.”

Read the full article in Billboard here…

The score project for Life Is Strange: Before The Storm was supervised by Feel For Music. Find out more about Feel For Music, who are based at Metropolis, by clicking here…

The Playback: August 2017

August may be silly season in the back pages but here at Metropolis Mastering we are not messing about. Here’s the next instalment of The Playback featuring another five artists that you may or may not know were worked on at Metropolis Studios.

Mabel – Finders Keepers

“Finders Keepers” is the prequel to Mabel’s upcoming single “Losers Weepers”. Well, actually that was just a joke but did you know according to international maritime law if you stumble across a shipwreck you can claim any surviving cargo as your own! Maybe this was Mabel’s inspiration for “Finders Keepers”, a slick 90’s style r’n’b banger with deep kick hits and airy minimal synths that float and glide around the listener. Mabel can clearly write and sing a memorable hook with conviction and all the people in the music video seem to having a fun (if a bit intense) time dancing, pouting and hanging out in warehouses. If you like Mabel’s sound she will be touring the UK in October.

Beachtape – Slow

Less than a year old, Beachtape seem to be cut from the same cloth as some other bands with strong seaside imagery like Beach House, Wavves and Best Coast. Maybe it’s all that fresh East Sussex air the guys are inhaling that helps them produce super blissed and laid back jams like “Slow”. Guitars with oodles of chorus chime with a beat full of satisfyingly synchronised stop start moments. It’s the kind of music that normally would be lazily described as slacker-rock but that label would be doing it a disservice. It’s actually pretty hard and takes a lot of work and practise to sound this chill. Their debut EP will be out on PNKSLM Recordings and they will play The Old Blue Last in East London on the 29th of September so check them out.

Crystal Bats feat. Whinnie Williams – Killing Me

Roll your suit jacket sleeves up past your elbows, unbutton your animal print shirt and don’t forget your aviator shades, Crystal Bat’s “Killing Me” is here. This song should be played in between All Night Long by Mary Jane Girls and Tempted by Squeeze on the radio in Grand Theft Auto Vice City. The track is a frictionless disco-ball bobbing gently along on an ocean of vaporwave and yacht-rock. Will Jones and Will Vaughn are both clearly in love with the decade of excessive reverb and slap bass and they successfully manage to pay a sincere and loving homage with “Killing Me”. The highlight is probably Whinnie Williams’ vocals, equally slick and sultry and provide the warmth and heart to an otherwise icey 80’s throwback.

Dead Pretties – Confidence

Angry, disaffected and raw, The Dead Pretties are at their best when making one hell of a racket. Guitar’s feedback, a bass line slinks menacingly and a razor blade gargling voice primitively howls and laments (in a good way). At a time when a large proportion of the most exciting young rock bands are from South London, this three piece stand out amongst their peers with their attitude, socially conscious lyrics and Confidence. You can catch them touring across the UK starting in Manchester on the 29th of September and finishing on the 12th of October in London.

Songaminute Man – Quando Quando Quando

Now something a little unusual for us over here at The Playback. Instead of writing about another hip teeny bopper or “so cool they don’t even have an instagram page” indie band, we would like to bring to your attention the Songaminute Man. Waaaaay back in 2016 this heartwarming video of father and son singing in the car went viral. In it 80-something Teddy Mac, who was diagnosed with Alzheimer’s disease in 2013, sings along to “Quando, quando, quando” the track made famous by singers such as Pat Boone, Cliff Richard and Engelbert Humperdinck. Well now Teddy Mac is back and more swinging than ever with a successfully crowdfunded album full of classic songs, featuring accompaniment from The Guy Barker Orchestra. 25% of all royalties will go towards the amazing cause of funding research into Alzheimer’s disease and dementia. The album #SONGAMINUTE is out on the 21st of September (World Alzheimer’s Day) with pre-orders available now through iTunes, Amazon and Google Play…


To keep up to date with all things Metropolis Mastering related check out our website…
Check out our Spotify playlist which we will be adding to as the year goes on with all our tips and recommendations…

The Playback